Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).   Related Paintings of Ostade, Adriaen van :. | Villagers Merrymaking at an Inn | Peasants Making Merry in a Tavern | Sight | An Alchemist | Peasants Carousing in a Tavern (mk08) |
Related Artists:
GIuseppe Cesari Called Cavaliere arpino
Rome 1568-1640
Francesco Primaticcio
Italian 1504-1570 Francesco Primaticcio Gallery Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicol?? dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and f??tes, which survive only in preparatory drawings and, sometimes, engravings. François trusted his eye and sent him back to Italy on buying trips in 1540 and again in 1545. In Rome, part of Primaticcio's commission was to take casts of the best Roman sculptures in the papal collections, some of which were cast in bronze to decorate the parterres at Fontainebleau.[1] Primaticcio retained his position as court painter to François' heirs, Henri II and François II. His masterpiece, the Salle d'Hercule at Fontainebleau, occupied him and his team from the 1530s to 1559. Primaticcio's crowded Mannerist compositions and his long-legged canon of beauty influenced French art for the rest of the century. Primaticcio turned to architecture towards the end of his life, his greatest work being the Valois Chapel at the Abbey of Saint-Denis, although this was not completed until after his death and was destroyed in 1719.
Grigory Gagarin
Russian: 11 May [O.S. 29 April] 1811 - 30 January [O.S. 18 January] 1893) was a Russian painter, Major General and administrator. Grigory Gagarin was born in Saint Petersburg to the noble Rurikid princely Gagarin family. His father, Prince Grigory Ivanovich Gagarin (Saint Petersburg, 17 March 1782 - Tegernsee, 12 February 1837), was a Russian diplomat in France and later the ambassador to Italy. His father married in Saint Petersburg in 1809 his mother Yekaterina Petrovna Sojmonova (Saint Petersburg, 23 May 1790 - Moscow, 27 February 1873). Thus until the age 13 the boy was with his family in Paris and Rome and then studied in the collegium Tolomei in Siena. Grigory did not receive a formal artistic education, but took private lessons from the famous Russian painter Karl Briullov who at that time lived in Italy. In 1832 he returned to Saint Petersburg, became acquainted with Alexander Pushkin and illustrated his works The Queen of Spades and The Tale of Tsar Saltan.He also became close to the opposition Circle of Sixteen and Mikhail Lermontov.